Venice

Day 1 | Wednesday 21 October
Arrive Venice
Venice is a city best approached from the water, and our first journey provides an immediate introduction to its distinctive geography. Arriving at Marco Polo Airport mid-afternoon, we transfer by private launch across the lagoon to our hotel, watching the mainland give way to islands, canals and campanili. After time to settle in, we take a relaxed orientation walk through the surrounding streets and campi, followed by an early, light welcome dinner at a nearby restaurant. Overnight Venice (D)

Day 2 | Thursday 22 October
The People of Venice
Venice was never an isolated republic. Its power grew from a network of communities extending across the Adriatic and eastern Mediterranean, many of whom settled in Castello and established their own churches, confraternities and artistic traditions. Today we explore how Dalmatian, Greek and other maritime communities became part of the city’s social and cultural fabric. Beginning at San Zaccaria, we examine Giovanni Bellini’s luminous Sacra Conversazione before continuing to the Scuola Dalmata di San Giorgio degli Schiavoni, where Carpaccio’s narrative cycle remains in the setting commissioned by the city’s Dalmatian confraternity. Nearby, San Giorgio dei Greci and its museum reveal the long history of Venice’s Greek community and the exchange between Venetian, Cretan and Cypriot artistic traditions. After pausing outside San Giovanni in Bragora and taking a short break, we conclude at the Church and Museo della Pietà, closely associated with Vivaldi and the musical traditions of the Ospedale della Pietà. The remainder of the afternoon is free to continue exploring Castello at your own pace before

Day 3 | Friday 23 October
The Lagoon
Before Venice rose to dominate the Adriatic, the lagoon was already home to communities whose settlements, churches and livelihoods shaped the city’s earliest development. This morning we travel by private boat through the northern lagoon to Torcello, once an important religious and commercial centre. On arrival we visit the Basilica of Santa Maria Assunta and its museum, where the monumental 12th-century Last Judgement forms part of one of the lagoon’s most remarkable medieval mosaic cycles. We then enjoy a relaxed lunch at Al Trono di Attila, a family-run trattoria near Torcello’s historic centre, featuring traditional Venetian and lagoon dishes. Afterwards, we continue by boat to Burano, where there is time to explore its canals, brightly painted houses and streets shaped by the island’s longstanding fishing and lacemaking traditions. Returning to Venice in the late afternoon, there is time to rest before an evening talk on Ravenna and the foundations of Venice provides context for tomorrow’s excursion. Overnight Venice (B, L)

Day 4 | Saturday 24 October
Ravenna’s Byzantine Legacy
To understand the visual language that would later define Venice, we look beyond the lagoon to Ravenna, the late antique city that served first as the capital of the Western Roman Empire and later as the principal Byzantine stronghold in Italy. Its churches and baptisteries preserve some of the finest mosaic programmes of the 5th and 6th centuries. Departing early, we travel by vaporetto and coach to Sant’Apollinare in Classe, where the vast apse mosaic introduces the symbolic language of early Byzantine art. After lunch nearby, we continue into Ravenna to meet our local guide. At Sant’Apollinare Nuovo, long processions of martyrs and virgins line the nave, alongside mosaics connected with the court of the Ostrogothic king Theodoric. We then visit the Neonian Baptistery, where the domed mosaic centres on the baptism of Christ, encircled by the twelve apostles. At San Vitale, the celebrated panels of Emperor Justinian and Empress Theodora present the political and religious authority of the Byzantine court, while the nearby Mausoleum of Galla Placidia is distinguished by its deep-blue vault scattered with golden stars. Following our visits, we return to Venice in the early evening and gather for a light dinner. Overnight Venice (B, L, D)

Day 5 | Sunday 25 October
The Image of the Republic
Venice’s rulers understood that power had to be seen as well as exercised. Through the architecture and decoration of its palaces, churches and public spaces, the republic fashioned an image of stability, piety and civic order that endured for centuries. We begin our morning with an exclusive out-of-hours visit to the Doge’s Palace, entering before the public to examine the chambers where the Great Council, Senate and magistracies governed the republic. Monumental works by Tintoretto, Veronese and their contemporaries transformed these rooms into a carefully constructed image of Venetian stability, power and divine favour. We then walk through Campo Santa Maria Formosa to Santi Giovanni e Paolo, the great Dominican church and burial place of many doges, where elaborate funerary monuments trace changing ideas of authority and commemoration. Outside, Verrocchio’s equestrian monument to Bartolomeo Colleoni dominates the campo. The afternoon is then free for individual exploration, with the option to visit the Museo Correr, whose collections trace the city’s political, artistic and social history. This evening, we return to St Mark’s for a private after-hours visit of Saint Mark’s Basilica, when the basilica’s gold-ground mosaics are illuminated exclusively for our group. Overnight Venice (B)

Day 6 | Monday 26 October
Merchants of Venice
Venice’s prosperity depended not only on overseas trade, but on the markets, neighbourhoods and communities that sustained daily life within the city. Today we begin at the Rialto markets, the commercial heart of Venice for centuries, where produce from the lagoon and mainland continues to shape the rhythms of the morning. From here, we travel by vaporetto to Cannaregio, one of Venice’s largest and most residential districts, extending across the northern edge of the city towards the lagoon and shaped by long canals, parish churches, workshops and quieter streets far removed from the ceremonial centre of San Marco. A guided visit here introduces the Venetian Ghetto, established in 1516, with its unusually tall residential buildings and historic synagogues. After time for lunch, we then continue through the district, passing Tintoretto’s former home and the distinctive medieval facade of Palazzo Mastelli. We conclude at the Bottega del Tintoretto, a contemporary printing workshop that reflects Cannaregio’s continuing tradition of small-scale craftsmanship and neighbourhood life. Later this evening, we gather for a talk on Venetian art, providing context for tomorrow’s exploration. Overnight Venice (B)

Day 7 | Tuesday 27 October
Art & Patrician Life
Venetian art was shaped as much by the city’s private interiors and social customs as by its churches and public institutions. Our morning begins within this world of private sociability at Casino Venier, an intimate 18th-century ridotto where members of the patriciate gathered for conversation, gaming and entertainment away from public view. We then continue by vaporetto to Ca’ Rezzonico, an 18th-century palazzo on Venice’s Grand Canal, whose furnished rooms, frescoed ceilings and works by Tiepolo, Longhi and Guardi evoke the domestic and social world of Venice’s final century as a republic. After time for lunch, we continue to the Gallerie dell’Accademia on the southern bank of the Grand Canal, home to the world’s largest collection of Venetian painting. Its galleries trace the development of the Venetian school through works including Giorgione’s enigmatic The Tempest, Carpaccio’s narrative cycle of Saint Ursula, Tintoretto’s dramatic Miracle of the Slave, Veronese’s monumental Feast in the House of Levi and Titian’s final Pietà. Returning to the hotel, we meet for a talk introducing Padua’s artistic and intellectual traditions ahead of tomorrow’s visit. Overnight Venice (B)

Day 8 | Wednesday 28 October
Padua
Closely connected to Venice yet shaped by its own traditions, Padua became one of northern Italy’s great centres of learning, pilgrimage and artistic innovation, influencing the culture of the wider Veneto through its university, churches and civic institutions. Travelling by vaporetto and train here this morning, we begin our visit at the Scrovegni Chapel, where Giotto’s frescoes recount the lives of the Virgin and Christ with a new emotional and spatial realism, culminating in the dramatic Last Judgement. We then continue to Piazza delle Erbe and the Palazzo della Ragione, the medieval civic heart of the city, whose vast upper hall is wrapped in an extraordinary astrological fresco cycle. After lunch together in Piazza delle Erbe, we continue to Palazzo Bo, the historic seat of the University of Padua, where our visit includes its celebrated 16th-century anatomical theatre. The afternoon continues at the Baptistery, where Giusto de’ Menabuoi’s 14th-century frescoes culminate in a vast vision of Paradise, before concluding our tour of Padua at the Basilica of Saint Anthony, the resting place of the city’s patron saint. We return to Venice by coach and water taxi, with the evening at leisure on arrival to our hotel. Overnight Venice (B, L)

Day 9 | Thursday 29 October
At leisure in Venice
Today is free to experience Venice at your own pace, allowing time to settle into the rhythms of local life, revisit a favourite place or explore another neighbourhood independently. Your tour leader is available to offer suggestions for museums, churches, walks or other visits. Overnight Venice (B)

Day 10 | Friday 30 October
Venetian Devotion | Concert
Venice’s religious institutions were also major centres of artistic patronage, commissioning works that expressed devotion, civic identity and the ambitions of the city’s confraternities and religious orders. We begin our day at the Frari, the vast Gothic church of the Franciscans, where Titian’s Assumption of the Virgin dominates the high altar and monumental tombs commemorate some of the republic’s most prominent figures. Nearby, the Scuola Grande di San Rocco contains the extraordinary cycle on which Tintoretto worked for more than two decades. Covering its walls and ceilings with scenes from the Old and New Testaments, the paintings form one of the most ambitious and unified decorative schemes of the 16th century. The remainder of the afternoon is then at leisure before we reconvene this evening for Carl Orff’s Carmina Burana at the historic Teatro Malibran, performed by the La Fenice Choir and Piccoli Cantori Veneziani under conductor Alfonso Caiani. Overnight Venice (B)

Day 11 | Saturday 31 October
Palladio and the Terraferma
Venice’s power extended well beyond the lagoon, particularly from the 16th century as patrician families invested in agricultural estates across the terraferma. Their country villas became a defining field for Andrea Palladio, whose measured use of classical proportion, symmetry and temple forms transformed domestic architecture and influenced building design across Europe and North America. Travelling by vaporetto and train to Vicenza this morning, we continue by coach to Villa Rotonda – Palladio’s celebrated villa, designed around a central domed hall with four temple-fronted porticoes opening to the surrounding landscape. After free time for lunch in Vicenza, we then visit the Teatro Olimpico, begun by Palladio and completed by Vincenzo Scamozzi, whose permanent perspective scenery creates the illusion of streets extending far beyond the stage. Our final stop is at Villa Barbaro, where Palladio’s architecture, Veronese’s frescoes and Alessandro Vittoria’s stuccowork form a remarkably unified ensemble. We return to Venice in the early evening. Overnight Venice (B)

Day 12 | Sunday 1 November
Modern Art in Venice
Venice’s role as an international centre for modern art grew from the founding of the Biennale in 1895, when contemporary works began to enter the city’s historic palaces, churches and waterfront spaces. That dialogue between old and new is especially visible at Santa Maria della Salute and Punta della Dogana, where a major Baroque church and a former customs house, now used for contemporary exhibitions, stand side by side at the entrance to the Grand Canal. Following our visit here this morning, we continue to the Peggy Guggenheim Collection in the Palazzo Venier dei Leoni, which became the American collector’s home after she presented her collection at the 1948 Venice Biennale. Set directly on the Grand Canal between the Accademia and Santa Maria della Salute, the palazzo’s low, unfinished facade opens onto a broad waterfront terrace with sweeping views across the canal, while its galleries bring together major works by Picasso, Kandinsky, Magritte and Pollock. From here, we continue to Ca’ Pesaro, a grand Baroque palazzo overlooking the Grand Canal in the Santa Croce district. Now Venice’s principal gallery of modern art, its collection was shaped by early Biennale acquisitions and includes works by Klimt, Chagall, Modigliani and the Italian Futurists. To conclude our day, we are welcomed into a private Venetian home for an informal introduction to local cuisine, followed by dinner. Overnight Venice (B, D)

Day 13 | Monday 2 November
Living Crafts of Venice
Venice’s artistic identity has long depended on the specialist workshops that produced prints, glass and other decorative arts for local patrons and international markets. Today we explore this living tradition through two very different forms of Venetian craftsmanship. We begin in Castello at the lithography studio of Alessandra D’Agnolo, where we learn about the tools and processes of traditional printmaking and how they continue within contemporary practice. From here, we travel by vaporetto to Murano, the centre of Venetian glassmaking since the 13th century. At Fornace Guarnieri, we visit a working furnace and gain insight into the skilled techniques involved in shaping molten glass. A break for lunch follows, with the remainder of the afternoon free to explore Murano and visit the Glass Museum. On our return to the hotel, we gather for a final talk on the city’s people, traditions and neighbourhood life. Overnight Venice (B)

Day 14 |Tuesday 3 November
San Lazzaro degli Armeni
Set just west of the Lido, San Lazzaro degli Armeni is a compact island with an almost geometric outline, its present form created as the Mekhitarist monks enlarged the original site fourfold. First occupied by Benedictine monks and later used as a leper colony, it was granted to Mekhitar of Sebaste and his Armenian community in 1717. They restored the church, established a monastery and transformed the island into a major centre of Armenian scholarship and publishing. Reaching San Lazzaro by vaporetto this morning, we explore its church, cloister, library, rare manuscripts and wide-ranging collections, while also considering Lord Byron’s period of Armenian study here in 1816. We then return to Venice around midday, with a break for lunch before our private visit to the Biblioteca Marciana in Piazza San Marco. Housed in Jacopo Sansovino’s great Renaissance library, its collections of Greek, Latin and Venetian manuscripts continue the day’s exploration of scholarship, translation and the written word. The remainder of the afternoon is at leisure before our farewell dinner in a private room at Bistrot de Venise, featuring a historic degustation menu with matching wines. Overnight Venice (B, D)

Day 15 | Wednesday 4 November
Depart Venice
After a relaxed morning, we depart Venice today. A group transfer by private launch to Venice’s Marco Polo airport is available for those taking mid-afternoon flights home. (B)